Immersive Storytelling and An Afro-centric Future for XR
Keywords:
Immersive storytelling, XR, VR, Afrocentric, African Digital HumanitiesAbstract
This paper opens a conversation around a possible Afro-centric future for Immersive storytelling, particularly in XR, one that might challenge Western-centric approaches to XR (extended reality) technologies and storytelling methods. The author argues that African creators across the continent's 54 countries offer vital perspectives that could reshape global XR practices. Drawing on theoretical frameworks from postcolonial scholars like Trinh T. Minh-ha and Jaishree Odin, the paper positions spatial and immersive storytelling as an epistemological challenge to Western narrative traditions. It highlights successful African XR projects, including Joel Kachi Benson's award-winning VR work and initiatives from studios like Black Rhino and Electric South, while acknowledging persistent access barriers. The discussion explores the convergence of XR with Internet of Things (IoT) and Artificial Intelligence, proposing that diverse experimentation is crucial for the medium's maturation. The paper advocates for moving beyond mimetic approaches and mobile-centric development to embrace more varied storytelling traditions, particularly those grounded in African orality and participatory practices. This research suggests that an Afro-centric future for XR could significantly expand the medium's potential for global storytelling and cultural expression.
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