Editorial

Auteurs

Mots-clés :

African Digital Humanities, Electronic literature, Digital culture, Digital divide, Generative text, littérature numérique, lecture double, lecture étroite , Procedural model, theory, Computer generated-novel, Modèle procédural, création numérique, humanités numériques, Philippe Bootz, Richard Ajah, Davin Heckman, Charles Berebon, Alan Bigelow, Yohanna Waliya, Nick Montfort

Résumé

This Maiden Edition of Multilingual African Digital Semiotics and E-lit Journal (MADSEJ) is dedicated to selected peer-previewed articles harvested from the second annual conference African Electronic Literature Alliance International Workshop Conference (AELAIWC2022) whose theme was E-Literary Procedural Creativity on Digital platforms and Metaverse/création numérique procédurale de la Littérature métaverselle et littérature dispositive, virtually anchored from the Centre for Digital Humanities University of Lagos (CEDHUL).

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Biographies des auteurs

  • Richard Ajah, University of Uyo

    Richard Ajah is a professor of French, Francophone African literature, cultural studies and digital humanities at the Department of Foreign Languages, University of Uyo, Uyo, Nigeria. where he graduated with First Class and with several academic awards as the Best-Graduating Student and University Valedictorian in 2004 Convocation Ceremony. He obtained M.A degree with distinction and a Doctorate from the University of Ibadan as Education Trust Funds (ETF) Scholar. He has been Keynote Speaker, Lead-paper Presenter and Resource Person in professional and Academic gatherings. Prof. Richard Ajah has been involved in the organization of Lagos Summer School in Digital Humanities (LSSDH), University of Lagos, Nigeria. He was an executive member of Global Outlook: Digital Humanities, Canada and he is the National Treasurer, Digital Humanities Association of Nigeria (DHAN) and Coordinator, Digital Humanities Unit of the Faculty of Arts (DHuFArt), University of Uyo, being part of African and Nigerian DH community. His DH scholarship has been in the area of computer-assisted literary analysis (CALA) in African literature.  

     

  • Yohanna Waliya, University of Calabar

    Yohanna Joseph Waliya obtained M.A. French Studies (Twitterature;Twitterbot poetry) at the Ahmadu Bello University, Zaria, Nigeria. He is a Nigerian digital poet, distant writer, ludokinetic writer, novelist, playwright, python programmer, winner of the Janusz Korczak Prize for Global South 2020, Electronic Literature Organization Research Fellow, UNESCO Janusz Korczak Fellow, Creator & Curator of MAELD and ADELD [2022 Emerging Open Scholarship Award: Honourable mention by The Canadian Social Knowledge Institute (C-SKI)], Executive Director of AELA& ADELI (https://africanelit.org ), International Association for Advancement of Artificial Intelligence Conference on Web and Social Media [ICWSM ] Scholar 2021-2022, Scrimba Scholar 2022-2023, and Hastac Scholar 2021-2023. He writes in English and French. Among his works are : La récolte de vie (play), Monde 2.0 (play), Hégémonie Disparue (novel), Quand l’Afrique se lèvera (novel), Homosalus (digital poetry), Momenta (digital poetry), @TinyKorczak (Twitterbot-poetry), Climatophosis (digital poetry: The best use of DH for Fun 2020), Inferno 2.0 (ludokinetic poetry) etc. He is also a lecturer at the Department of Modern Languages and Translation Studies, University of Calabar.  His research interests cover distant writing, Distant reading, Digital Poetry, Metaversal literature, Twitterbot-poetry , Twitterature, Digital Humanities and language discourse.

MADSEJ cover

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Publiée

2023-10-19

Numéro

Vol. 1 No 1 (2023): MADSEJ Maiden Edition

Rubrique

Articles

Licence

(c) Copyright Richard Ajah, Yohanna Waliya 2023

Creative Commons License

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .

  • Copyrights remain with the authors, who grant the journal the right of first publishing their submitted manuscripts. All materials published by MADSEJ is under an Attribution 4.0 International Creative Commons License which make them accessible to the public and  to be shared since authorship and first publication credits are cited.

  • The Attribution 4.0 International (Creative Commons) allows the copy and redistribution of the material in any medium or format, as well as its adaptation for any purpose, even commercially.

  • Authors are permitted to give contract for non-exclusive distribution of the version of their works published in MADSEJ. For example, distribution in an institutional repository or as a book chapter but the authors should give credit to MADSEJ as the first to publish the manuscripts as well as acknowledge MADSEJ.

Comment citer

Ajah, Richard, et Yohanna Waliya. « Editorial ». Multilingual African Digital Semiotics and E-Lit Journal (MADSEJ), vol. 1, nᵒ 1, octobre 2023, p. i-ii, https://madsej.africanelit.org/index.php/madsej/article/view/8.